ARCFLY

Critics and practitioners of architecture often convey a contradictory message in a quest to comprehend the essence of iconic architecture. The notions of many recent international projects strive to be iconic, but few actually become truly successful from the point of view of the ultimate critics, the people who use them.

We propose the need to solidly reestablish the qualities of what defines iconic architecture. The first step of our process began with the interrogation into the nature of iconic architecture and its role today. We asked ourselves, what is needed to create an architectural icon for a city, a task that is both complex and delicate.

Our approach is one that rejects grand architectural gestures that deliberately exist out of context for the sole intent of making a grandiose statement. We reject the use of elaborate sculptural forms that are fashionable, or are required to compensate for poorly planned design that does not respond to the local environment. We favor an architecture that portrays a creative, site specific design that is “grounded” in the local context.

Massing

The massing of the project begins as a simple, monumental white stone object positioned to mark the entrance ofKeelungHarborlike a beacon. The object is broken into slices, revealing a highly contrasting inner material of glass. Each fragment is rotated and pulled apart to obtain the best views of the landscape while allowing sunlight to enter.

A single element is displaced to the end of the site, creating a central open space, framing the views of the mountains at the scale of the harbor, and balancing the overall composition.

In separating the program masses, the profile of each tower speaks to the other in composition, establishing a synergy between the two towers that could not exist in the case of a single element. Formally, the vertical elements of the towers define the edges of the view of the landscape, while the plinth of the terminal elevates the horizon line. This building-scale optical device deeply frames the views of the landscape, elevating the presence of the mountains and the sea.

The massing and proportion of the towers are geometrically calm to deliberately contrast rather than duplicate the organic forms of the adjacent mountains and local complex urban fabric. The image of the highly refined, rectilinear white boxes layered against the mountains, suggest a monumental presence on the horizon of the harbor.

In using highly contrasting design elements, the project achieves the maximum architectural impact while employing simple massing strategies, a minimum number of materials, and allows the use of economical structural systems. Parallel to the development of the architectural concept, the overall approach strives utilize a form that respects the construction budget, the extremely tight construction time-line, and the challenging phasing strategy.

Pedestrian paths traverse the elevated topography as wooden boardwalks guide visitors around the site recalling the characteristics of a classic wooden pier. They two exterior pedestrian paths also define and connect two types of parks, one active and one passive.

The terminal forms a large civic space that re-introduces water to the site in forms that are accessible to the people. Water fountains for children to play in and pools of water to stand in, create an interactive experience for visitors. Conversely, the urban park proposed adjacent to the terminal takes a more traditional approach with a natural and ‘’romantic’’ aesthetic inspired by Claude Monet paintings. Both parks are fully accessible to the public and offer notably different experiences that strengthen one another in their presence.

Materiality / stone-glass, wood

Materials play an important role in the project. Along with the memory and human associations attached to particular materials, the physical properties and their behavior in the environment ofKeelungHarbourwere carefully considered. Large modules of stone, coursed in a traditional manner, were selected to contrast with the aesthetic of the monolithic surfaces of the seamless glass.

The checker pattern of the stone façades dictate the location and quantity of fenestration allowing a functional amount of natural light for the office program while framing views of the landscape. Conversely, the pure glass façades open to panoramic unobstructed views of the water of the civic space and harbour.

The shimmering glass facades of the project draw their inspiration from the presence of water on, and around the site. The composition of the façades with the reflecting pools raises the visual presence water to the urban scale. Bronze tinted stainless steel fins fixed to the vertical curtain wall components are distributed across the façade in a pattern that captures and reinterprets the image of rippling water.

The use of water in various forms elevates the sense of theatrical drama and prestige

The extensive use of water in the overall composition reflects the need to return access to water back to the people of Keelung Harbor. Large exterior reflecting pools on the roof of the terminal capture and dramatize the reflected images of the towers. Spray fountains elevate the experience of water from purely visual to tactile, while moderating temperature of the micro-climate of the site and the public gathering spaces.

The sound of water falling will also contribute to the park-like atmosphere of the civic space while masking traffic and cargo port noise. While playful, this concept will provide a fully immersive and memorable experience of water, engaging all the human senses for the ferry terminal passengers, people who work at the complex, and the local community.

Architects: ACDF Architecture

Project: Keelung New Harbour Service Building – Phase 2

Location: Keelung, Taiwan

Architect of Record: Hoy Architects and Associates

Engineering: CECI Consultants

Introduction

Tirana needs a new mosque, not only for the Muslim community and not only to meet the needs of a growing number of Muslim citizens, who are served today by a modest network of mosques but also because our capital must meet a missing corner of the triangle that makes this city a special place. Religious harmony triangle between the three main religions, since times, has been a point of reference and is reflected not only in the local traditions of the citizens in Tirana, solidarity, and mutual respect. While the two other religious communities have already taken their places of contemplation, today, under such conditions, the Muslim community does not have its own religious space. Religious people living within the borders of Albania are heterogeneous. Are the Muslims – who make up the majority – and the Christians, each with their own religious communities Muslim, Bektashi, Orthodox, and Catholic.

From 1967 to 1990 religious institutions in Albanians were closed by the regime of the time and clerics were persecuted or eliminated. The nonexistence of God was propoganded in schools and Darwin's theory was introduced to offset the creation and existence. The believers, men and women were not allowed to practice their religious rites and during that period the Communist Party was the only one that allowed god to believe in, at least in public. Most religious institutions were destroyed or transformed into warehouses for military uses, or cultural centers of communist propaganda. Only a few buildings are kept intact that had architectural and historical significance, and surprisingly the regime was sensitive to beauty and its values. After 1990, when the communist regime fell, religious institutions reopened their doors.

The citizens of Tirana require a new mosque to become not only a space for spiritual prayer in a city of the 21st century, but also a place for the expansion of knowledge of Islamic culture with dedicated space for information and education activities as well as for anyone interested in history or actuality of Islam. Tirana will have this new space, this new index, new pole, and so on to convey the full, for its citizens, for its visitors for the new generations as an expression of its own uniqueness, as an expression of a value, for which we all, regardless of belief, will be proud and aware, for the priceless value of this asset. Mosque is another reflection of a new century, and while it can make a complete cohesion between tradition regarding the preservation of spaces and reflection of origin while maintaining all the features needed for physiognomy most beautiful building of a new Islamic space of worship.

The mosque should interact with the entire city, with the whole community, and should mean something even to those who do not belong to this religion and this "something" of course, more than the words, lies in the image of a building of the new mosque itself. We want not only to be a place of spiritual rituals in the service of Muslim believers but also a landmark of a magnetic force, to bring people closer to God, religion, and the universal values of humanity. We want the new mosque to be a building open inviting the entire community, not just a building with the door closed for service in the city. The new mosque will be a place of worship, knowledge, and culture; to become a center of Islamic culture. The New Mosque should be a place of peace and spiritual individual and social reflection.

From the above data and the real conditions, I wanted to treat the project as it is little known and rarely used in previous ones, but with a somewhat different and reforming approach, more aesthetically of the Mosque typology; somehow trying to bring conceptual innovation and to give a contribution, however modest, in trying to change the perception of broad measures for this typology. This perception has remained relatively rigid since early times until today. While the typologies for similar buildings of worship have made somewhat of an effort and achieved change the perception remained for them.

The main reasons for choosing this site are very controversial. But being aware of the real debate about the most appropriate place for the construction of the New Mosque of Tirana, in consultation with the leader of the diploma and the professors of the department, have chosen this site, “Namazgja”. The site itself is the most convenient option, as it offers the highest capacities available from all points of view, in terms of a space in the center of Tirana. Maybe a site in the suburbs of the city will provide more options to create a spacious environment for meeting the growing needs of this community, but this site is more concrete and offers more architectural and urban challenges. And indulge in some way, even as a result of the solution that I think about it, both sides of the debate about the location.

It will be a hypocentral object and multi-functional and therefore require a more accessible location by satellite facilities and all the faithful of the city with greater ease than another in the suburbs. Even the history of the site is destined for this object. Urban and environmental conditions are almost optimal. This significantly favors the possibility of creating environments that comfort good and usable on time and at full capacity by all citizens of Tirana, by returning the lost value in use and adding one more attraction, in a city that does not have a big number, compared with other European capitals and global ones.

The Site is located almost in the center of the park before the Parliament of Tirana, the former “Namazgjaja”, and the "Fan Noli" square. Accessibility of the site is very good. The area is rich in relatively older buildings since it is very close to the "Tirana Castle". Is a high-density green area, as is currently a park. There is a very good orientation possibility from the south and east, and, since it is a busy area with no construction, the environmental and solar conditions are perfect on all sides of the site. The current Functionality of the site is minimal, relative to its real potential, therefore is an immediate need for intervention, whether in improving the current use, whether in giving a new function, or trying to preserve more green and free spaces for the citizens of Tirana. This space is turned into a real unused annex and expects its revitalization.

Infrastructure

Roads:

The site is boarded by two of the most important arteries of the city, such as the "Small Ring Road" near the "Lana" and "Workers of the Renaissance" which continues after "Elbasani Street". The site is linked by two lines of urban transport with the respective stations near the square.

Water systems:

Thanks to its location at a point near the cross of main roads and Lana, makes it easy, whether for potable water systems, drainage, and sewerage as well.

Other networks:

The gray water system, Electricity, Gas, and Telecommunications it seems clear their good accessibility to the site in study.

Environmental conditions

Climate:

Albania has a Mediterranean climate with dry-hot summers and mild-wet winters. The average annual temperature ranges from 15 to 20 degrees centigrade. While the climate in Tirana has all these characteristics, adding that is among the cities with more annual rainfall per year as well as a very high temperature during the summer, the wind blows mainly from the northern quadrant, but during the winter months, by the south. There are little foggy days in Tirana and the average annual relative humidity is 70% in the air. Due to its geographical position, Tirana is characterized by abundant sunshine hours but that like many other things has two sides of the coin; things to be considered. The positioning and orientation of the site are quite good regarding sunshine and winds.

Months - December, January, February:

Are entirely outside the comfort zone. Need for conventional heating and action of active and passive solar systems. There are humidity problems.

Months - November, March, April:

Kane thermal comfort in the area of only 30% thereof. These days lie outside the boundary of shadowing, therefore the problem must be solved through the bars of brisoleil. The rest of the days action is needed only for active and passive solar systems.

Months - May, September, October:

Kane thermal comfort in the area of about 40% thereof. This is the period where only shade. 40% of days outside of the comfort there is a need only to move the active and passive solar systems. For the remaining months outside of the thermal comfort zone, ventilation must be introduced.

Months - June, July, August:

Kane thermal comfort in the area of 40% thereof. This is the period where only shade. 20% of days outside of the inner comfort use of energy resources. The remaining months are placed outside of the comfort zone of ventilation and the high thermal mass of the ventilation during the night.

Air Quality

The existence of green space that surrounds the site, creates good opportunities for maintaining the air quality. This is very necessary and enables the creation of a livable environment, more especially necessary in the summer period when the climate in Tirana is very embarrassing. Another positive side is the presence of Lana River near the border of the square.

Drainage

Terrain presents the field of view of natural water currents. Proximity to two major arteries of the city especially the River of Lana creates an ideal opportunity for solving this problem. Also having a nice slope toward the river, makes it have no problems from this point of view to the site.

Conclusions of Environmental Analysis

Tirana is characterized by a generally mild climate. Given that we study the site bounded by the southwest by an area of vegetation, it can cause the creation of a regional microclimate that can provide climate comfort, especially for the hot months of the year.
Regardless of the wind, since the site under study has SE-NW orientation, in the hottest months and the coldest of the year the wind direction will be perpendicular to the longitudinal extent of the site. This gives rise to thermal comfort for the hot months of the year but could be a problem for the winter months if we do not properly take measures for functional separation and volumetric modeling for the northwest side of the building. A positive factor for protection from cold winter winds coming from the northwest is abundant green areas and the possibility of creating natural barriers with tense trees.
Regardless of the solar light, the site we study has such an extension that allows full natural lightening almost throughout the year and at any time of the day. Must appoint that in these conditions, we must take care of design and development, to eliminate the overheating problems that could occur in the summer period.

The size of the territory:

Territory is an area suitable for construction somewhat social, and has an interesting stretch. But not enough to give the full solution, of the Muslim Community requirements, whether other citizens of Tirana for more free and recreational space in the city. The site has an area of 9500 square meters, but my work will pick up the entire area of the park approximately 20,000 square feet, to make a wider requalification.

Conclusions from the analysis

Positive sides:

Has a very favorable position, thanks to the proximity to the center and main institutions or services, the hedged with two important arteries, the River of Lana, and green spaces
The size of 9500 square meters is abundant, plus I will study and take in the rest of the park
Accessibility is very good
Sunlight and Natural lightening is optimal, given the geographical and climate conditions of the country
Has positive side-winds, given the orientation of the building for summer
History of the old and the new destination that will meet here

Negative sides:

May not be given a final solution to justify the use of this site due to insufficient size and inability to greater exploitation
Proximity to one of the noisy crossroads creates a small acoustic pollution for the site
Proximity to Catholic Cathedral

Thematic criteria

Historical knowledge and its evolution are shown above, but I will go on a few key points to make it simple. The reason for the birth of the mosque typology, as any other typology is clearly functional. Its intention is for a common space for the community of respective religious rites of worship. Its dominant element is the prayer hall, which predominates in the plan as well as in altimetry. Another element of importance attached by function and location is the ritual cleaning area (ablution).

The original term “mosque” is translated University, because of the function for which purpose is used most of the time, and that is to study, for those who attend. Given the first word that has gone down in the Quran-“ Read”. To give precedence thereby broadening the knowledge for the knowledge of God, ourselves, and those around us, whether people or everything else. Element 'minaret' was initially born as a need to have a high place to announce the time of prayer, and then has been adopted as a high element that was for the bells to Christians, with the difference that here would be the human live voice, for this is forbidden the use of other forms besides the voice of the caller (muezzin) and only live.

In the beginning, the teaching was made in the great hall, but later with the creation of big states began to take separated area functions halls in specific character versus ritual. So these buildings began to return to the complex including other functions, but already formalized. Mosques were back in the main centers of meetings and discussions, and not only that, for all the community was the epicenter of the activity of its main culture typologies. The development of mosques in the world was due to the influence of the respective cultures of the area, this doesn’t bring any functional problems. Many elements that we know today as the distinctive features of mosques were not part of this typology early and are not as necessary as the dome and the minaret, which nowadays have lost their function.

In modern times of course human needs and requirements have evolved and this requires a better fit with them, not to take for granted canonical architectural styles and solutions, for which it must be admitted that the broad masses of the population have more difficulties to secede and to accept the innovative ones, regardless preserving basic principles of operation typology.

Religious architecture in general and the mosque which include architectural and functional turn requires efficient and appropriate use of the three main elements of nature as are:

Light Water Air

The world promotes and enhances these elements in the human brain with a mystic connection that they represent part of our subconscious, to create a comfortable and soothing environment where you can concentrate on meditation and somewhat disengage from stress, problems, and routines of terrestrial life to be closer to the divine to facilitate the spaces created.

Concept

Discussions:

In public opinion, interest groups, not only had extensive discussions but were interesting. Following these discussions, I managed to trace and insulate two dominant opinions:

First-opinion is seeking to avoid the situation of ruining another garden space for general public use and that can be used in special cases by the Muslim community for performing their ritual 2 times a year as required. Is not needed to increase further cemented areas in the city that do not have many green spaces already. They also rightly demand that the needs of the community of believers be met in another part of the periphery where more free space is still vacant with buildings, given the prospect of future development of the city.
The second opinion requires that the mosque should be built at this site, because the need is urgent for a large area, somewhat to meet the requirements of a rapidly growing community the current infrastructure dented by a communist system can’t cope with the present. They also say that in terms of the ownership history of the site, this is a win-win situation with the being that is majority owned by the Muslim Community, while other properties are not returned. The destination is preserved as the origin of land known as “Namazgja” (praying square) and is used for this purpose early on, Eids prayer, and for public gatherings.

Final Conclusion

To satisfy as best the two currents of thought, I decided that the project could be developed in this area, while also maintaining the actual function; park and “Namazgja”. This could be achieved by developing the main building, not in the main garden space; leaving it open as an open floor. Having established that the main function of prayer on this "floor" and by moving down complex functions ancillary to this public space, it also favored by a certain slope that has the square. Part of the open will continue to serve all citizens throughout the year, while believers will use it again as “Namazgja” twice a year to perform the ritual prayer of Eids. So increasing the effectiveness of the use of such a beautiful space allows this urban space to become a new point of attraction for the city.

I tried to involve some of the ideas and research studies Frontline made.

Division into three different levels in altimetry, to relieve Ground floor space for the public.
The division into three different levels of altimetry reflects the Islamic concept of stages of human life. Odd 0.00 quota which is open to all, is a reminder of this life that we live, actuality. Odd -1, where are located the auxiliary function areas of the mosque; representing the life in the grave. Odd +1, the prayer hall, representing the third phase of general human life in Islam, is permanent (paradise), and symbolically above is as close to God. When one climbs above is "disconnected from the concerns and worries of this material world to be closer to the spiritual world, towards the divine”.
Using as a geometric basis for the upper part of which is the prayer hall is the eight-pointed star, an identification of the elements of Islamic architecture.
Use in the shape of the petals stylization under the golden ratio or the sacred spiral that is derived from the Fibonacci sequence, also called "the fingerprint of God", given that all-natural elements are subject to this "law".
The use of the rose-stylization element of form and volume based on the natural character of the site creates a kind of fusion with nature. The white rose hasn’t any special signification in Islam, but it is widely recognized as a symbol of beauty and purity, which complies fully with this religion.
Also, the positioning of the grid square and the discrepancy construction zone with a constrained qibla direction asks for a non-regular form, this one also to enable visibility and a much better conception of the multiple angles of visual perception we have available. The indirect natural illumination is required for this typology to provide a quiet and mystique space for achieving better concentration in worship rituals. High environment care and simultaneously favoring more Sunning management and better circulation of air purification, which has been the concept of the main ideas. Special way in quote -1, through corridors

What we have in mind in Islamic religious monuments, is the creation of special functions for both sexes, they are separated. For this reason, all the facilities you have set are doubled. Given the direction of the qibla, is the well-adapted structure of the building, and its function respects those limits for some specific spaces such as bathrooms.

0.0 Floor

It is a space open and freely usable by everyone, to walk, stand for recreational value, picnic in parts steep grass, reading; located on this floor is a library where there are two scale-elevator groups. The floor is lined with concrete slabs-arms to maintain continuity with the sidewalks. This floor will serve as a great praying area in the case of two annual Eid ceremonies. With a capacity totaling 10 thousand people.

Floor -1

The main ancillary functions of the religious complex are as part of ritual cleaning with toilets and separate sinks and showers. Two small conferences that turn into a big one. Library with separate spaces and reading books with communicative space. Teaching classes for each gender on both sides of the facility. Guardians offices, dorm, dining, bathrooms with showers. Also offices in the part of boys for the imam, the sheikh, the muadhin. Offices and facilities for periodic publication of the needs of the mosque. Information office in each arm. Commercial premises in the ears of both sides to better satisfy a portion of which have specific requirements for particular product believers. These functions are separated by corridors and adapted tailored towards the specific requirements of each function. There are two ramps in the basement subtraction; parking.

Floors -2 and -3

There are 250 parking places and relevant technical facilities for water and pumps warehouse, cabin and generating electricity, the environment of the establishment of air cleaning equipment and its circulation in the building. Other facilities for various waste disposal and storage of materials for specific cases.

Floor +1

On this floor is a large hall with a capacity of 2,050 seats for prayer, facilities for shoes for those coming from the main stairs ramps, a block scale-elevator that has access to this floor, 3 lifts, and a scale. A smaller ablution area for internal needs. Mimbar, where board a Khateeb (lecturer) on Friday, the mihrab where stands the prayer leader (imam). Bookshelves, and two emergency stairs on this floor only.

Construction

Construction of the building is solved in three separate constructive levels. The first level comprising two floors underground and a popular positions ancillary floor is a concrete-steel design, reinforced in separate parts of the structures that underlie above the metal elements. The second level is where the open portion of the level-set lift blocks, metal columns, ramp-stairs, and entry space trusses great as the structure of the upper reinforcement. The third level is the upper part, where the white rose with metallic construction and for increased stability with the support of scale-lift groups which connect large trusses space capriate, that serves mainly to support elements of the summit of the facility.

The rose is not sin conceived structure that is consistent with itself and that supports the weight and provides increased stability from the bottom. Petals themselves are generally space trusses, and there are the major constraint is the metal beam that forms a network with triangles by the examples of buildings with similar construction around the world. Lighting is accomplished by space between two petals, which join with structural glass reinforced with a metal structure.

Facade materials

For wearing on the outside petals have chosen a new material, used in buildings of similar structure, Glass Reinforced fiber plastic (GRFP), it is very resistant to weather conditions and industrial, and also takes easy form in manufacturing necessary for the object and fitting, realizes greater aesthetic expectations.

Structural glass with three layers, keeping a good metal structure shaped Islamic motifs to enhance people's connection to the object.

Glass windows of complementary facilities such as classrooms, offices, and the library are on the same glass, but it has two levels of transparency.

Upholstery is a hooked gypsum material that bends in two directions, to add stability. There are placed two layers of 1 meter in height from the floor of white wood spins, for the support of the faithful people during rest or listening to the lecture.

Part of the podium is paved with concrete slabs. Spaces between floors are glazed with great resistant glass to scratches as well as shocks.